In its day this film was considered something of an artistic triumph." Noir analysis įilm historian Blake Lucas, discussed the film noir aspects of the film, writing. Though at times muddled, the script strives to maintain a deeper approach than such films as The Public Enemy or Al Capone.
#Gabgster shakespeer tv#
TV Guide gave the film a positive review, writing, " The Gangster is an offbeat entry in the film noir genre, one that places the accent on the psychological. It is adapted by screenwriter Daniel Fuchs from his book Low Company, and much of its too arty nature is attributed by rumor to the uncredited role Dalton Trumbo played in the screenplay." Instead the film noir is more concerned with establishing a forlorn mood and being artistically stylish, as director Gordon Wiles (won an Oscar as art director for the 1931 Transatlantic) creates a theatrical piece that is unnecessarily stagelike and much too pretentious for the modest storyline. Reception Critical response įilm critic Dennis Schwartz gave the film a mixed review, writing, "A Poverty Row crime melodrama that has its moments of traditional crime, but moves along not in the traditional way of tracing the rise and fall of its protagonist. With nowhere to hide, Shubunka is killed by Cornell in the street, just before the police arrive to place Cornell under arrest. Shubunka runs to Dorothy for help, but she declines, calling it just deserts for his unwillingness to help anyone else. This time Nancy does betray Shubunka, having been bribed with a Broadway stage offer by Cornell. Cornell mistakenly believes Shubunka to be responsible and goes after him. Karty gets into a fight with Jammey at the cafe and accidentally kills him with a skillet. Karty has disappeared, meantime, but when his frantic wife appeals to Shubunka for help, he again infuriates Dorothy by saying no. After a couple of Cornell's men beat him up on a picnic, Shubunka angrily accuses Nancy of having him set up. Jammey gives him inside information on Shubunka's organization.
Dorothy, the cafe's cashier, quits her job, disillusioned by Shubunka's involvement in the rackets and concern for no one but himself.Ĭornell wants to take over Shubunka's rackets. He begs Shubunka for help but is refused. Shubunka has a girlfriend, Nancy Starr, a showgirl, and offers protection to a New York beachfront cafe owned by Nick Jammey.Ī regular customer, Karty, has gambling debts and has stolen money from his brothers-in-law's garage. Still have questions? Check out our Shakespeare FAQ, or draw on our Shakespeare publications to embark on research of your own.Īs his fellow author Ben Jonson wrote of him, Shakespeare is "not of an age, but for all time." We hope that you find the Shakespeare that speaks to you, and that you, like the readers and artists who have come before us, continue to share him in the future.Shubunka is a racketeer, at odds with Cornell, a rival. And you might like to browse through some of the highlights of our Shakespeare collection. We've also shared an overview of what Shakespearean theater is like-both in his day and since-as well as a brief account of the history of publishing Shakespeare. For those who share this interest in Shakespeare the man, we've collected some information about him and his life. We also collect items that tell us more about the playwright and his time. The Folger isn't only interested in the work Shakespeare left behind. And, of course, you can read the carefully edited texts of his plays and poems for free, online, in the same reliable versions that you buy in our Folger Shakespeare Library editions.
If you're looking for printed texts or images of a specific work, browse our collection of pages on Shakespeare's works for plot synopses, textual history, and selected other resources. We have also digitized thousands of images of Shakespeare's plays, including artists' illustrations of scenes and renderings of actors' performances. We have cover-to-cover digital facsimiles of all of our early quartos, and multiple facsimiles of copies of the First Folio. Online visitors have access to much of this material as well. Researchers at the Library can consult everything from 16th-century printed books to 20th-century theatrical ephemera. A great deal of our world-class collection is devoted to his plays and poems, which we have in copies ranging from their earliest printings to the most recent editions. William Shakespeare is widely considered to be the greatest writer in the English language, and the Folger exists to house and celebrate his work.Īlthough our collection extends beyond Shakespeare, his works are the centerpiece of the Library-and the cornerstone of its existence.
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